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CAST
Eva ………………………............................................................Jan Lucas*
George……..........................................................David Mosedale
Helen…………..........................................…Suzanne Lang-Fodor*
Vati………..................................................Jonathan Golumbiecki
Mutti….........................................................................…..Anna Doyle
Erich…...........................................................................…..Reid Henry
Jesus……..................................................................…....Caleb Curtis
*Member of Actors’ Equity Association
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PRODUCTION STAFF
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Director...............................................................Jenny McKnight
Stage Manager.........................................Krystina Valentine
Scenic Designer ..................................................Jenny Fischer
Props Master ………………………............................Cassie Hakken
Lighting Designer .....................................Brennen Edwards
Sound Designer...................................................Joel S Watson
Costume Designer. ................................Jessica Van Winkle
Production Carpenter …………,,,,,,,,……..........Michael Fields
Dialect Coach.............................................Julia Karin Lawson
Graphic Designer ...............................................Jill Goodmon
2018
Productions
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Church and State
by Jason Odell Williams
directed by Liam Castellan
CAST
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Senator Charles Whitmore. . . . . . . . . . . . . . .Stephen Hunt
Sara Whitmore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Abby Lee*
Alex Klein . . . . . . . . . . . . . . . . . . . . . . . . . . . .Tess Cunningham
Tom Marshall.. . . . . . . . . . . . . . . . . . .Jonathan Golomblecki
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*Member of Actors’ Equity Association
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Production Staff
Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Liam Castellan
Costume Designer . . . . . . . . . . . . . . . .. . . . . Natasha Heines Dialect Coach . . . . . . . . . . . . . . . . . . . . . . . . .Henry McDaniel
Lighting Designer . . . . . . . . . . . . . . . . . . . . . . . . . Tony Stoeri Props/Scenic Designer . . . . . . . . . . . . . . . Bridgette Dreher Sound Designer . . . . . . . . . . . . . . . . . . . . . . . . . .Macy Kloville
Stage Manager . . . . . . . . . . . . . . . . . . . . . . . . Cassie Hakken
Graphic Designer . . . . .. . . . . . . . . . . . . . . . . . . . Jill Goodmon
Three days before his bid for re-election in North Caroline, a Republican senator, makes an off-the-cuff remark to a blogger that calls into question his belief in God. As his devoutly Christian wife, and his liberal Jewish campaign manager, try to contain the damage, this look at how religion, guns, and social media influence our political system is simultaneously funny, heartbreaking, and uplifting. Joined by Jonathan Golomblecki, this cast of four is ready to attack this relevant and highly contemporary play,
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In the Yichud Room
Staged Reading
by Joel Fishbone
directed by Darrell Ann Stone
CAST
Sutler.........................................................................Matthew Waterman
Amy...............................................................Courtney Relyea-Spivack
Chesterton..................................................................................Jeff Stone
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One-act staged reading performed at the fundraiser.
Leipzig
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by Wendy Graf
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Directed by Jenny McKnight, Professor of Practice in Acting and Directing at Indiana University
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Leipzig, takes an honest look at redemption—finding a path to love and reconciliation where there has been distance and misunderstanding. At a time when anti-Semitism and anti-refugee rhetoric are increasing, this multiple award-winning play will foster greater understanding of the experiences of others.
Leipzig explores the journey of a three-member Irish-Catholic Boston family when the mother, descends into Alzheimer’s and begins praying in Hebrew, unwittingly revealing her long-held secret that she is Jewish, a child refugee of the Holocaust. Her adult daughter and only child, has been raised as a devout Catholic, and must deal with the devastating effects of her mother’s secret past and come to terms with her religious identity. She carries on an interior conversation with an imagined “Jesus,” her confidante since childhood to help her through this religious crisis, while her father, is in denial. Leipzig allows past and present to collide in a psychological homecoming that raises deep and moving questions about identity, loyalty, memory, and parental bonds.
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